This is the latest development in the evolution of the classic Phoenix compressor, first introduced in 1998. After requests from mastering engineers the Master Phoenix was introduced in October 2006. This was more recall-able with indented pots and slightly different power supply and metering circuit, in which trimming the meter alters the current through the compression valve so compensating for valve ageing.

The compression curve of the mastering Phoenix is slightly gentler than that of the standard one, but it does have a more 'positive' effect. This earlier version has 6dB lower gain compared to the standard Phoenix.

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The Master Phoenix is in use in many studios and mastering suites around the world, and we do know that one of its users, Ray Staff of AIR London Studios won the MPG award for Best Mastering Engineer in 2009.

The new Mastering Plus is a much upgraded version employing precision Elma switches for the Gain and Threshold and Alpha switches for Attack and Release. Omeg indented pots are used for the Output Level for fine control.

VST 4 FREE - Free Audio Plug-ins and Archives Free audio plugins archive - Instruments and effects for audio software. Plugins for Cubase, FL studio, Reaper, Ableton and other VST/AU platforms. Limiting Amplifier plug-in. Input and output controls. Attack and release controls. Ratio selection: 4, 8, 12 and 20. Advanced VU/GR meter. Modern Phoenix v1. Phoenix by Shattered Glass Audio is a Virtual Effect Audio Plugin. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin. Plug-in, App & Soundware Format (s).

Side Chain Bass Cut switches, which have become an essential mastering tool have been retained. In stereo mastering, with the link switch in, there are effectively 5 frequency options as the compressor side chain will work at the average of the switch positions.

A Standby switch is introduced to prolong valve and component life and this has had an unexpected effect, see. *

WOV is part of Phoenix Series!! The Phoenix Series from K-Devices uses classic effects as a springboard for deep and intuitive creative sound tools. Moving beyond K-Devices origins in Max for Live, the Phoenix Series plugins are available as VST, AU, and AAX, and work for a variety of instruments and styles.

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Mullard and Siemens NOS valves are used exclusively for lower noise and long life stability.

Kvr free vst effects. The Gain is now identical to that of the standard Phoenix so that extreme compression effects are possible .

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Easy adjustment of Meter Zeros, especially important in stereo mastering, is now enabled by front panel access to the trim controls, situated between the 2 meters.

*some users have found that analogue tape type distortion is created when the unit is operated with Standby on.This was unintentional but some people may find it interesting.

Upgrades
An upgrade from the TDM version to Phoenix II is $65 US retail.
If the TDM license is newer than November 2010 there is no charge for the upgrade to the original owner. If it is not the original owner one must buy a full license.
Send us an email for doing an upgrade, we need your ilok id
Phoenix II is an update of Crane Song's suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine.
Phoenix II runs both NATIVE and DSP on Avid's PT 10 AAX format. Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release.
Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded 'Aria' discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid's PT 10 architecture.
Phoenix II has five different tape-analog characteristics, The type is selected with a switch for easy comparison between the types, and the brightness is also selected with a switch. Gold is the position where the color is approximately flat in frequency response, with Sapphire being a brighter, and Opal being a warmer tonality. A level control determines the amount of the Phoenix II process integrated into the audio signal, and an input trim determines 'how hard you hit the tape.' Because the DSP process is level dependent, the input level trim control has been improved and an output trim control has been added.
The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem and bringing up the level of a track for an increased amount of color. This can be useful on material that is hitting close to or at digital zero and on material that has a low recorded level. When the input trim and output trim controls are at 0dB, (no change in gain) and no tape process is being added to the sound, the plug-in is bit accurate, meaning the output exactly matches the input.
The Phoenix II contains five separate flavors:
Luminescent is the most neutral sounding process of the five.
Iridescent has a similar magnetic character, but with a fatter bottom and midrange.
(This plug-in is the most similar to the tape knob on HEDD-192.)
Radiant is characterized by a more aggressive compression curve
Dark Essence is even more aggressive. (The effect is a color with a wider
frequency range-when used on a vocal Dark Essence can reduce sibilance
problems by increasing the apparent loudness of the rest of the signal.)
Luster starts more gently than the other four processes, but becomes as
aggressive as Dark Essence when the process is at full scale.